Add this to your existing Process Portfolio document.
How to Write a Reflection:
For each artwork (Atmospheric Perspective and Figure Drawing), I want you to create 1-2 pages per artwork (3 if you have a lot to say and plenty of visuals) about the artwork. On these pages, you can talk about or include any of the following things:
- Photographs of your artwork, which may include detail shots
- Photographs of the model, if you had one
- Any progress photos you had
- Discussion of what it was like to work with medium, which could include what you found easy, what you found difficult, and any tips or techniques that you learned or discovered along the way
- Discussion of what it was like to work with your selected technique, which could include what you found easy, what you found difficult, and any tips or techniques that you learned or discovered along the way
- Discussion of any artistic influences that effected your work
- A description of what you were trying to depict or show with your artwork
- Your judgement of how the artwork turned out (was it successful, where did you fall short, what could you do better, etc.)
- Any potential ideas or goals for future artworks
Note that this is not a definitive list, nor do you have to do everything on the list. These are merely suggestions to help guide you.
What Your Page(s) Must Have
- A title or header, so we know what this page is about
- Something visual on every single page (you can have more than 1 photo per page)
- A border (do not go edge-to-edge with your work)
- Text that demonstrates your thinking and/or reflections
- Citations for any images or quotes that come from someone other than you
- Transcribing of any handwritten text that is in a photo, but is not legible
The images below are a collection of sample Process Portfolio pages, to help work as a guide.
These reflections are due Monday, 2/24, by 11:00 p.m. This is a formative grade. Just have your PowerPoint or Keynote sitting in the shared folder, and I will grade it from there.
Tips on Photographing your Work
For the best photos, photograph your work as it hangs vertically on a surface, and with it evenly lit. Anything else can cause weird shadows, glare, or strange cambering of your image.
This is most easily done by borrowing a few magnets from me, hanging your work on the whiteboard, and photographing it there, in class.
It may be necessary, particularly with sculpture, to light it. We do have a few clamp lights in the classroom just for this purpose.
You may want to crop your photo to just the image, removing any trace of the background surface and/or margin border.
My Role in All of This
I am a facilitator and an editor. I can help you if you need access to photos, cameras, or software. I will point out things that are good or bad with your pages. But in the end, this is completely your work and your submission. You have final call when it comes to your Process Portfolio, and assembling it is completely your responsibility. Let me know how I can help so that you can have the best submission possible.